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Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for ''The View From Here: 19 Perspectives on Feminism'', an exhibition and publishing project held at West Space as part of the 2010 (Next Wave ) Festival. == 1960s == 1967 Exhibition: Vivienne Binns, Watters Gallery, Sydney. The exhibition of paintings and sculptures showing symbolic representations of genitalia was considered outrageous at the time.〔Anne Kirker in Delia Gaze (ed) ''Dictionary of women artists'', Volume 1 (Fitzroy Dearborn: USA, 1997), p.262〕 1967 Artwork: Vivienne Binns, ''Vag dens'', synthetic polymer paint and enamel on composition board. Collection of the National Gallery of Australia, Canberra. 1967 Performance: Yoko Ono and Juno Gemes, ''The Scream'', Ono covered seated Gemes in bandages from ankle to crown while Ono performed a crescendo of screams. This performance was sabotaged by male owners of the Club. 1967 Performance: Juno Gemes and Lawrence Bourke, ''The Carnivorous Nature of Love'', performance with female store mannequin, belly filled with offal. The Model was disemboweled to a recitation of Spencerian Sonnet. Joan Littlewood's Stratford East Theatre, East London, UK. 24 Hours of Performance Art Event.〔 1967 Performance: Juno Gemes, Charles Marovitz, David Curtis, Women dancers, ''The Plight of Erogenous UFO'' Multi Media Venue, 100 Tottenham Court Road, London, UK. Weekly multimedia serial performed over a six-week period. Elements included performance, film projection, dry ice music by ''The Soft Machine'', colour projection by Mark Boyle, elements varied each performance.〔 1967 Artwork: Bottoms, Director: Yoko Ono, Assistants Robin Rudnick, Juno Gemes, Cinematographer Tim Rudnick. 300 participants filmed and sound recorded during a three-month period 1968 Performance: The Human Performance Art Group, ''The Body Eats a Peach'' Pact Theatre 10 Cunningham Street, Sydney, NSW; La Mama, Melbourne, VIC; Tribe, Brisbane, QLD. Multi Media Performance Group: Laurel Fox, Gillian Jones, Julia Salle, Juno Gemes, Michael Glasheen, Stephen Jones, Brian Thompson, Mick Glasheen, Jack Myers, Tom Barber, Ken Beatty, Jack Jacobson, Garry Shead, Peter Kingston, Andrish St Clare, Clem Gorman, James Ricketson, Albie Thoms, Ubu Films, Roger Fogg Foley-mixed media, performance choreographed, paint, furniture installation, geodesic wood structure, kinetic light installation, steel and wire sculpture, film, sound collage.〔 1969 Uluru Desert Research Room, Juno Gemes, Michael Glasheen, The Yellow House, Sydney, NSW. Preparation and research for six months in Central Australian Desert, consultation and filming with Pitdjandara, Loritcha, Arrenete Elders and families on stories embedded in Uluru. Women artist/participants in The Yellow House: Little Nell, Antionette Starowitz and Juno Gemes, 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Australian feminist art timeline」の詳細全文を読む スポンサード リンク
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